《理智与情感》英语读后感3
I remember the first time I watched "reason and emotion", I was probably still in junior high school. I loved my lively sister very much. Maybe it was Kate at that time who permeated the classical pure beauty. It was so moving. Clearly remember, Marianne said, the more books I read, the less likely I was to meet real feelings. Then I think of Colonel Brandon coming in with the song and seeing Marianne in front of the piano. The sun is shining on her face. Its so picturesque and full of emotion.
So at that time, I chose the vigorous Marian to love. Its as if someone guessed that you were smiling or sobbing, as if you could bring sunshine to the whole room by laughing, as if you sat there and let the melody flow out of your fingers, and everyone was quietly immersed in your notes, as if you could laugh and cry without any external factors, as if you were full of vitality because of youth Hua Feiyangs playfulness can make the world around you willfully.
However, Marianne only glowed at a young age. So many years later, when I saw the BBCs remake of three episodes of "reason and emotion", I clearly gave more love to Marians sister, Eleanor, who used to be silent in my world. Not so surrounded by the light, not so handsome face, but quietly share your worries, and then bear the sadness of yourself, still hold up your expectations.
The same background and growing up experience, however, they are like two stages of growing up for me, although their differences are actually static personality problems. It should be rare for a person like Eleanor in his early days to be tolerant, restrained and understanding. More of us are just Marianne. I used to think that the most beautiful and perfect things are the normality of a certain stage of our lives, and will be killed eventually.
The simple to willful Marianne was at last willing to be quiet beside the people she had previously despised. But I am no longer infatuated with the halo that self puts on for her, reason is bigger than emotion, growth is really a kind of compromise. But I dont want to deny this kind of compromise, just as this post is not to commemorate the Marianne who everyone used to be. I am not so attached to the madness of willfulness.
Recently, its just the story of passing by others. Its probably not just the impulse that breaks the previous fate. Theres no fate, no place to rest. Isnt that the best refuge? Its hard to stop suddenly. After I finish the competition between reason and emotion, I still laugh at myself, maybe I am the most naive one.
记得第一次看《理智与情感》的时候，大概还是初中，好钟爱那个活泼泼的妹妹，或许是那时候的凯特渗透了一股子古典纯真的美丽，实在是太过动人。很清晰地记得，玛丽安说，我读的书越多，越不可能遇到真正的感情。然后就想起布兰登上校跟着歌声走进来，看到钢琴前的玛丽安，阳光撒在脸上，光晕一地，那真是如画一般，入情入景。
因此那个时候选取了朝气的玛丽安去钟爱。仿佛你低眉就有人猜想你是浅笑或是低泣，仿佛你欢笑就能给整个屋子带来阳光，仿佛你端坐在那里任旋律从指尖汩汩流出而所有人都安静地淌在你的音符里沉醉，仿佛你能够想笑就笑想哭就哭不必正因任何外界而磨灭自我的棱角，仿佛因了青春有了朝气洋溢了才华飞扬了俏皮就能够任性地让全世界都能够绕着你转。
然而那个玛丽安只在不懂事的年纪里焕发着她的光芒。因此时隔多年，看到BBC重新翻拍的三集版《理智与情感》时，我分明地将更多的喜爱给了玛丽安的姐姐，那个以前在我的世界里沉默着的埃莉诺。没有那样环绕的光芒，没有那么俊俏的脸庞，只是安静地为你分忧，然后忍着自我的悲伤，依然撑起你的期望。
同样的出身背景、成长经历，然而她们于我就像是成长的两个阶段，尽管她们的差异其实只是静态的性格问题。埃莉诺那样的人在一个人的初期就应很少见吧，隐忍而克制，善解人意。更多的咱们都只是玛丽安。我原来以为最光鲜完美不可企及的事物其实只是咱们性命某个阶段的常态，而终将被扼杀。
那个单纯到任性的玛丽安最后还是心甘情愿地安静在她以前不屑一顾的人身边。而我不再迷恋自我为她披上的光晕，理智大于情感，成长真的是一种妥协。而这种妥协，我却不想否定，就如这篇博文并不是为了纪念每个人都以前是的玛丽安。我不再那样依恋张狂的任性。
最近只是途经别人的故事，打破以前引为宿命的大概不只是冲动。宿命都没有了，无处安身，那不是最好的避难所么？突如其来的截然而止让人并不好受。在我这样罗嗦完了理智与情感的比拼之后，我还是笑自我，或许我才是最幼稚的那一个。
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